Day 30 - 100 Day Project

Day 30 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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Neutral! I wanted this one to feel more neutral. I just LOVE this gray it's so pretty and makes everything around it so pretty. Thank you Annie Sloan!

Also am starting to feel a little bored. I put in scraps of left over cut paper (I had cut out organic shapes for an earlier piece and these were the left overs). You can do anything. It creates a sense of randomness that you couldn't fake if you tried. The pieces are awkward but to incorporate them into a piece is good for yourself and for your brain to make it work and again, it's a little uncomfortable.

Day 29 - 100 Day Project

Day 29 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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I went smaller today. You can't tell from this picture at all but I started with a cool gray PASTEL - yep that's right! I just rubbed on the side, the cool gray pastel color all over. It was interesting because it's bringing texture right away to the piece. And it was interesting to start with so much pastel at the beginning because as I applied my wet acrylic, it would "grip" literally so the push and pull of the natural dry verses wetter mediums was kind of fun to explore. So the real piece has this beautiful light cool gray color in the background that's very difficult to photograph properly with an iPhone. And working with greens are always challenging. Not sure why but they remind us so much of nature and the natural world, and perhaps because they are quite neutral in that these are "warmer" green with lots of yellow in them. But it's more challenging to go further either way to cool or warm green because green is neutral to begin with.

I remember my first college professor at Easter Illinois University - I had finished a total green piece and he said it was the ugliest thing he'd ever seen! Just because so much green was completely overwhelming. I should've left it just to see what the viewers would do but I was learning too. I wish I had more photos from that time period to show off but you know how it is, that was such a growing, learning period, you don't take a lot of the process stuff because it's so raw you, as an artist, want to forget it!

Day 28 - 100 Day Project

Day 28 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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I actually did do this yesterday but it was late so posted on Instagram but not blog. It's funny to see that this one is like "POW!" ORANGE! Orange is kind of a more challenging color obviously especially do have it as the background, need to cool it down. Orange and blue are opposites (remember color theory?!) so without intentionally do it, you subconsciously go with that color scheme because it's balancing. Orange is so "hot"/warm it's nice to play around with this kind of rusty orange background color. Again didn't know this would be landscape with this thing like "Growing" out of the bottom - I did the entire piece with it vertical. But turned it around at last minute when taking a photo and I liked it better.

Day 27 - 100 Day Project

Day 27 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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After Day 26, went right into this one for Day 27. Wanted to keep going with a larger size, getting tired of the smaller size at the moment (probably will go back but for now, I'm feeling larger size). Still having fun with edges which I'm exploring obviously in a lot of the past few days. So that's keeping me going as well for now.

Day 26 - 100 Day Project

Day 26 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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Yesterday I did not get to painting so today while Grant is napping, I went down with the intention to perhaps go to a larger size and go for 40 minutes and the split the painting into two for fun and a different strategy. Well, this just came out so easy this time and then I just didn't feel like it needed more. I liked the light pastel feel since sometimes my stuff can get "heavier" with brighter colors and not as neutral. I had fun with the pastels for the 1st layer so that was where a lot of the work went. Then some Annie Sloan chalk paint (love this stuff!) and lots of water to let the layering begin and the paint to kind of do it's thing with the pastel and chalk, etc. FUN.

What is "freestyle" painting?

Acrylic, ink on panel, 24x36, 2012 What is freestyle painting? Funny. I don' tknow!!  It's curious, I've never ever thought of myself as "freestyle" until writing this blog today, literally. I'm an abstract contemporary artist. That's how I'm labeled and within the art world, that is how you define yourself--a contemporary artist who paints figures, or contemporary landscape artist, or abstract geometric artist etc.

I encountered the term freestyle while looking up books on Amazon for abstract paintings. This must be a new marketing term for consumers to understand a bit more what abstraction is perhaps? Because in the academic and professional fields, I've not encountered that definition before and it's not an official definition yet in the art world. But one things for certain, it is a very general label that lumps practically everything called "art" into it.

Acrylic, found paper, ink on paper (3 panels), 18x56, 2010

For my work I don't mind using the term "freestyle" because I do think that it is starting resonate easier with those of you who want to learn this kind of style. In the art world, it would be classified as "expressive." But for my definition, I am going to define freestyle as I define my artwork: organic, abstract, contemporary, free-form, gestural, and expressive. I also will go one step further to add that freestyle painting implies finding a personal style or voice through abstract painting, at least that's the most important thing to convey to any newbie artist that wants to experiment with this kind of abstract painting.

Abstraction has over a 100-year old history. So anything "abstract" can also include all sorts of imagery within in it. During the early 20th century, budding abstract artists were painting anything that wasn't found in the "real world."

By 1950's, with Jackson Pollock who rocked the art world with all-over gestural paintings, the term expressive became identified with his style specifically, abstract expressionism. Decades after him, we've gone back and forth, reacting against Pollock's work, and then reacting against those who've reacted, and then taking that and ripping it apart and then piecing it back together, etc. (splitting up into an art historian's nightmare, how to classify 1800 different "styles?" since the 1950's?).  You could easily argue that everything since Jackson Pollock in the artwork has been a reaction against him. That the only true originality in art was Picasso and Pollock (yes, that's stretching it but he sure has had a tremendous influence on how we culturally and socially think about art).

Today, pretty much anything and everything goes, and the "interdisciplinary media," academics love to call it, emphasizes more immersion-type media like installation work, photography and video. As you can imagine, there have been endless debates for decades and decades arguing that "painting is dead" after Pollock. It just goes on and on.

So it all works.

Acrylic, mixed media on cotton tablecloth, 70x179cm, 2011

My latest series of artwork is mostly abstract, although I reference floral patterns and stylized imagery and even sometimes have inserted bits and pieces of photographs of flowers or trees or forest imagery into my paintings (especially experimenting with my master's work). I love patterns from wallpaper and textiles and have been incorporating them into my work since my master's program.

But the difference is that I abstract those images themselves. I rarely just take something that is referential (like a photograph of a flower) and just insert it into my painting whole so that the viewer sees it in its entirety. It doesn't mean I won't some day, but for now I'm more interested in abstracting imagery, which by definition simply means "freedom from inserting representational qualities in art." I manipulate that flower photograph, either by pulling it apart or cutting it up so that there is a familiar reference that you might be able to make out, but at first glance, all you see are colors and shapes. And then usually embed those images into the whole piece so that my mark-making, brush strokes, painterly style is mixed in with that image. That is essentially abstraction. A great example is my Butter Cream (2011) circle painting where I do exactly that with photographs of leaves from a forest. You cannot tell unless you get really up close that those are cut photographs.

Abstract painting strips all imagery down to the essentials: color, form, shape, texture and line. There are as many different types of abstract art as there are people. In the art history context, abstraction includes a much wider definition, again simply art that does not reference the "natural world" around us (representational) but uses color, form, line, shape to depict imagery. It could be sculpture, a multi-media presentation, graphics or even photography. It can be geometric and architectural.

Acrylic, paper mixed media on matte board 9x12

As for my painting, I'm classified within the expressive camp. Oftentimes you might read or hear the term mark-making or painterly mark which means the way in which the paint (or other type of medium) is treated on the surface of the canvas (or wood, or panel or whatever). If it's applied with a brush, it's literally the way the paint is manipulated by the brush on the surface. Abstract Expressionism again directly references Pollock because it is the physicality of the paint with the surface that is the painting. There is nothing else really. Therefore, mark-making is also a broad term that can be applied to how the paint is applied to any surface. For example, it can be poured, pooled, scratched, whipped, thrown, sliced, painted, scraped, wiped, blotted, stamped, finger-printed, basically you name it! The tools used are also very broad, as are indeed the different types of media that is applied. And there are exceptions to this generality of course (that is what the modern and contemporary movements in painting are consistently pushing boundaries of what we expect a painting should look like or be). But for our context, the way that you express yourself through your favorite media on a 2-dimensional surface constitutes your personal style. And it all lives under the umbrella term of freestyle.

So join me in freestyle abstract painting! I would love to get feedback and hear your thoughts.

Day 25 - 100 Day Project

Day 25 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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Day 25!! I can't believe I've made it but to be perfectly honest, it hasn't been that hard at all like I thought. I guess when you really are enjoying yourself, you DO IT! What a revelation!

This one again, trying new things but it was scary for 95% of painting this. I was thinking "THIS is what's going up for the 25th one?" Yes, we all psyche ourselves out. The second that you want or intend this to be a "great" painting, it sucks big time. So it was going pretty down hill for a while, super ugly! But I think it turned out ok in the end. . . . but even if it was pretty bad, the agreement with myself was to put up the entire process because that's what this is all about. Experimenting, getting back into painting, and putting all of it up - no matter how I personally feel about it. Crap and all! :)

 

25 DAYS! A milestone so far

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I've made it through 25 days so far! I thought at first, "can I really do this?" But the secret is to set yourself a goal that is manageable. My life is so busy right now with work full time and trying to spend every moment I can with my 18-month old son. But I have been thinking of getting back into painting for months and months now. And to do a challenge like this you simply must be consistent.

But I'm thrilled with myself! I love it! And of course you are hoping that you will and that it's not an overwhelming challenge but this is perfect timing for me. Just to be able to have "something" that is getting me to paint everyday is a breath of fresh air. I feel better. All throughout each day, it's my own meditation. And I know I'm putting out there into the Universe that I intend to do this and make this a priority in my life just like caring for my son. Work I have to do unfortunately! But painting and my son are top priorities. And who knows what will come my way with art, but at least I'm doing the work now.

So far though, it's been interesting to set myself some limitations. Each painting is completed within 20 minutes. This includes (most often) drying time. And drying time I'm not used to forcing with each layer -- I literally just dry with my hair dryer. So here's couple things I have noticed:

• 20 minutes is really perfect time because you are forced to make quick decisions and move on

• Frustrating to wait for things to dry - but also forces you to move on

• You are forced to just "start" and then forced to "end" it! whether you like it or not! :)

• Within the time slot, more often as you practice, your intuition completely takes over. You cannot really think a lot because you are moving fast! But you are more likely to try new things and be surprised by them.

• Teaches you to definitely not fear the "blank" paper or canvas or whatever. You just have to GO!

• Different decisions like starting with white paper, or designed paper, or pastel paper, you are "reacting" to what's in front of you from the start. It's great to change it up becuase you are starting from different decisions then always white paper which is generally what people think is expected. But it helps to challenge your brain a little bit, you are mentally looking for slightly different strategies to keep your interest and then the direct effect is that it will be new. So you will try new techniques or tactics in your paintings.

• Oftentimes, my "go-to" techniques involve lots of water dabbling and pooling of paint with water. But with these 20 minutes paintings I literally just cannot wait for things to pool and dry on their own. So I have to loose a lot of those pools of paint that I love. Instead I have used a lot of paper towels to "dabble" away the excess water/paint pools. That in itself is a newer technique for me to always be my "go-to." I also like to stamp the left over throughout the painting too which gives another effect. So it's good even though it's not preferable to me, I'm still doing something different then I'm used to.

• Using different type of paint is always fun. Mainly use Acrylic but have fallen in love with Annie Sloan's paint as well. IT is chalky, pastel paint that is super easy to work with. You can make it opaque but also transparent with just a little bit of water. And it's very easy to dry.

• 20 minute paintings every day really does teach you to detach from you artwork. It sounds strange, but you have to detach in order to just get it out and move on. Already looking at these 25 pieces, I literally forget "oh yeah I did that one!" And looking back I may like one or not like one at all. But it doesn't matter. It's just a record of my decisions that one day.

• Again, many are not good. But that's awesome! It's identical to practicing an instrument, you practice and practice and goof up and mess up your notes or your fingers on the piano and you just do it over. And sometimes things just flow out but most often it's more of a struggle perhaps. But you are practicing! Only difference is that you have a physical record of these practice sessions verses music where the audience doesn't hear your practiced mistakes when you perform at a recital.

• I realize I understand now why the Yale Professor started this project for his art students (which is where Elle Luna got the idea for herself and to start this campaign). It's awesome for newbies especially to just paint, paint, paint, paint. Get used to painting. Get used to the materials, the process, and to learn about yourself. But it's been perfect timing like I said before for myself, to get back into the habit of painting.

Ok what will 50, 75, and 100 bring? Can't wait!

Day 24 - 100 Day Project

Day 24 - 100 Day Project Follow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject

Click here for official webpage.

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Really into pastels in the past couple ones here. But had fun cause for most of it I used my fingers - yeah that's right! Instead of a brush, used my fingertips to dabble and paint so that gives a different texture.

Day 23 - 100 Day Project

Day 23 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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Wow this one did not flow easily this morning! This is what happens when you get a tiny bit "attached" because I started to like the beginning of this sketch but then completely overworked it. And then tried to save it. The time flew by and the timer went off and I was like "ahhhhh!" So I tried to save it with just a minute or two over. It also was not vertical until the very last minute. I worked on it the entire time landscape with the painting on the right. It's not great. I like some parts of it but overall not digging it. But that's ok. Part of the process!

April reflections - renewal springtime

IMG_1985 Thinking of all the people I love in my life right now. My heart goes out to my young niece who is getting extra special love this week. You are so loved. You are so cherished. You are so beautiful. You are so courageous and strong. Going through tough, tough times right now.

Thinking of my dad who has been in the hospital for over two weeks and came home earlier this past week. He is soooo courageous! Ironically, he has major heart issues (all his life) but he has the sweetest, kindest heart of all of us. We LOVE you!

Thinking of how this new year looked so different just three months ago. Letting go of a business that was supposed to happen these last 2.5 years has been very challenging.

And finally, thinking of my extended family through my husband's side. So much change in the past several months - change that none of them (me included) has ever wanted. Change that involves other people that I cannot seem to love or forgive right now because it all is hurting my husband and my sister and brother-in-law. Change that profoundly effects the trajectory of all of our lives.

But love is all that matters in each case--the first two situations, it is easier to love my niece, love my sister, love my dad, etc. Much more difficult to love and think well of the change that so effects us personally in our lives. But it is an opportunity to love more, forgive those and yourself and do the best that we can individually. "We cannot possess another person," as Quinny puts it in the Larkrise to Candleford BBC TV series. But there is a great fundamental shift that's happening in my husband's and mine's life right now, a huge change. Closure. Closure for my business I thought that I would have started by now is finalized this week. Closure for my husband's family. Moving on.

I've been thinking about the word, "renewal" the past couple of weeks, associated so much with springtime. Birds chirping, bunnies hopping, dog-walking, trees budding, finally sunshine and forwarding the clocks are all imagery that we are familiar with around this time. Descriptions like fresh, lovely, bright, cheery, and clean. It coming alive again, waking up after winter time, looking forward with anticipation of summer, good times and a relaxed, sun-drenched atmosphere.

But reflecting where I am right now, my life is far from cheery, bright and fresh (except when in the presence of my 18-month old son!). It has been interesting to look up what springtime means in Chinese medicine because as I read some of the insights, I realize that yes, that sounds more like my own experience right now.

Apparently the element associated with this time is Wood.

The power of Wood is gentle, persistent, and filled with creative potential. It has the power of both being and becoming—of being true to your own nature and becoming more yourself by clearly expressing your inner needs and desires. Wood gently penetrates the earth to bring forth water, the source of all life.  Drawing from our roots, we find the energy to push forward with strength and firmness of purpose, always remaining supple, yielding, and true to our nature.

I love how this passage above implies that growing is hard. We often think of all the new plants and infant buds that just "pop" out overnight and voila! there they are! But no, this is a reminder that for weeks, the growth has been happening slowly, consistently, underneath the earth or within the tree or bush itself, and even though we happen to witness the exact moment the bud bursts forth from it's stem, it took a great deal of energy and work for this to happen.

Then reading about the emotion associated with Wood was eye-opening for me.

The emotion associated with the element of Wood is anger. In its balanced state, anger can be a healthy emotion, for it can be understood as a natural reaction to stress, frustration, or injustice. When expressed with careful control, anger acts like a thunderstorm that clears the air; controlled anger can dispel tension and restore balance. An imbalance in Wood, however, often has the quality of out-of-control anger, and results either in excess or depletion. An excess, or pent-up quality of Wood, expresses itself as “quick to anger,” prone to volatile outbursts, irritability, and the tendency to judge others too quickly or harshly. The converse, deficient Wood, often expresses itself as difficulty dealing with anger at all. Swallowing your anger, you become anxious, irritable, and tend to blame yourself when things go wrong.

I've never really thought about anger being a healthy emotion. It is so often in Western culture, especially among women, it is not a "natural" state at all but one that is unladylike and crude. If we, as women, get angry, we are emotional (which in our culture is a negative association even though the actual definition is simply, "one who appeals to his or her emotions"). It actually can be associated with ugliness--we are ugly women who are angry. And we're told to "simmer down," or asked "Is this your time of the month?" etc.

I certainly have been angry the past couple months and frustrated for sure. I never thought about anger being a healthy emotion that "acts like a thunderstorm that clears the air." I can certainly see why men have more leeway with anger then women do in our culture. My husband's responses to these challenges have certainly been more anger than my "brooding" but it definitely helps to let it go quicker for him. But prolonging anger makes us "quick to judge others harshly, anxiousness, irritable," I have definitely felt those emotions too--for far too long I realize.

And how do you process all this anger this springtime? Amazingly, our body has given us a clue to how to deal with and process all of these emotions in a healthy way. Apparently the organ most associated with this time is the liver. The liver is an amazing organ, essentially performing hundreds of "essential functions, including the formation of blood and the cleansing and filtering of the blood to help the body eliminate toxins and ensure its continued vitality." Cleansing the toxins is an important step in order for us to literally grow, mature and develop like the spring bud. Letting go of old resentments and grudges prevents the natural energy of the liver to function in a healthy way. We have millions of ways to remind us that it is forgiveness that is not for that person or people or event, etc. It is for yourself.

Forgiveness. Forgiveness. Forgiveness. That's what I need to be focusing all my energy on so that I can grow more. That is what is the solution to all of this. Again, not for anyone else, but for myself.

 

Day 22 - 100 Day Project

Day 22 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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This one I started with charcoal (closest to black) house paint just dripping and then built out from there. I seemed to keep it horizontal the entire time - it was working for me as I was doing it and then when finished too. You can see that with the pastel paper, I fold and tear a larger sheet in half and it creates a skinnier, "taller" dimensions then regular 8x11 paper obviously. So experimenting just slightly - you would think it doesn't matter, but dimensions of the canvas or paper or whatever you are working with does matter. For these pieces on pastel paper, there is slightly more space to work with even though it's "skinnier."

Day 20 - 100 Day Project

Day 20 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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Loving the change-up to pastel paper! this one and the next Day 21 came out in way less time then 20 minutes. Having fun with pastel mark-making too, definiately brings a more delicate look to each painting.

Day 19 - 100 Day Project

Day 19 - 100 Day Project Follow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject

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Last night I felt like a different paper this time. Maybe for a while I'll work on some pastel paper. But it's nice to change up for different backgrounds because again, you start from an entirely different "place" then when you have a blank white piece of paper in front of you. And the texture of pastel is fun plus using actual pastels is fun too. You can't see a lot of it here but I did start with pastels and then worked in the paint. Perhaps for another piece I'll use pastels more.

Day 18 - 100 Day Project

Day 18 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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Today inspired by one of my son's drawings from school . . . he's 18 months. :) I just love his artwork. And I didn't even do what I wanted to do - which was completely copy him. I will show his artwork when I find it (I think it's still in the car!) but I save as much as I can right now for fun. But this one struck me particularly because he had completely scribbled on the bottom-left of the construction page completely off the page. Nothing else was anywhere but broad, scribbled strokes off the page. I LOVE it! He doesn't even know it but using the edge like that is very compelling and striking. I tried to do it here but still not well enough. Perhaps tomorrow I will feel another attempt.

New favorite paint - Annie Sloan

Annie Sloan Chalk Paint After testing out Annie Sloan's chalk paint, I want more! Totally have fallen in love. It's a great consistency for painting. Obviously, the paint is designed for redecorating and refurbishing furniture, floors, walls, etc., anything decorative and in your house (lamps, book covers, etc.). It is nontoxic, completely flexible enough to use right out of the can or water it down with some water, etc.

But my favorite thing are the colors. I do not like to mix colors cause I'm just too darn impatient. It's weird I know but I tend to paint fast and like to just grab paints out of the bottle. Occasionally if I have a specific color in mind I will take the time to mix. But I absolutely LOVE all thing British and their color schemes are no exception. I've oftentimes taken the color samples from Farrow-Ball to Lowes to create the paint colors. For example, the Brits have just such beautiful gray colors. I feel like the US has warmer gray colors or darker. Brits have such a beautiful, soft, cool gray - probably inspired by a lot of cloudy days actually! But Annie Sloan's paints are awesome. You can mix them together to make new colors. But also there are a lot of neutrals that I can just get right out of the bottle. (For example the gray used to calm down this painting in my 100 Day Project sketch). I can only afford 1 quart right now which is "Cream" that I'm working on for my new painting series. But I can't WAIT till I can afford more. Lovely! :)

Tip - be on the lookout for other materials that you wouldn't necessarily think are related to painting but it is! Test them because all paint is different consistency. Advised to stay away from all oil-based paints because they are very hard to work with, they cannot be used for the first layer because if you put water-based layer on top of oil, the oil will corrode the water-based layer - unless you want to experiment with that!). But waiting for oil to dry is a drag (could take days), and it's messy, toxic and you have to do a lot of clean-up (check local and national requirements on disposal of oil-based painting products, etc. because there's a lot now a days). Water-based or "Acrylic-based" paints are much better for you, and much easier to work with.

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Day 17 - 100 Day Project

Day 17 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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This one ended up looking very "flowery" and "foliage-like." I tried to slow down a bit and make more deliberate choices. But the "waiting" for drying time is my most irritating aspect of this challenge. I move quickly but I like to leave the water to pool to dry on it's own - creates all this fun and cool things that I could never create on my own. But because of time, I have to mostly "blot" those areas out so that I can move on.